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September 16th
(sunday)

CHRIS HEENAN (contrabass clarinet)
& JONAS KOCHER (accordian)
BHOB RAINEY (solo electronics)




Aux @ Vox Populi
319 N 11th St, 3rd Floor
Philadelphia, PA
8:00pm; $10

ABOUT THE EVENT
Bowerbird commences the fall season with a concert featuring first rate music from local and distant sources. This is a rare chance to see the duo of Berlin-based American contrabass clarinetist Chris Heenan and Swiss accordianist Jonas Kocher (who are in the midst of a US tour) and perhaps the first of what we hope to be more regular local appearances by recent Philadelphia transplant Bhob Rainey, who will be doing a set of solo electronics.

Chris Heenan and Jonas Kocher work with the unlikely pairing of contrabass clarinet and accordion using improvisation to create worlds of changing depth and mood that both expand upon and fixate on particular sonic zones while simultaneously belying the instrumentation of the duo. Sudden shifts in texture and tempo give way to areas of quiet and stasis, a reprieve from constant movement that gives way to a burst of loud focused activity.

Bhob Rainey's eight member BSC will be appearing in Philadelphia later this fall, performing two original realizations of John Cage's "Song Books" (1970).

Made possible with the support of Pro Helvetia, the Swiss Arts Council.



Accordion player and composer born in 1977 (CH), Jonas Kocher studied a.o. with Teodoro Anzellotti, Pierre Sublet and Georges Aperghis. He collaborates regularly as an accordionist in improvised and conceptual contexts with musicians such Michel Doneda, Christian Wolfarth, Olivier Toulemonde, Alfredo Costa Monteiro, Luca Venitucci, Duo Diatribes, Jacques Demierre, Christian Kesten, Gaudenz Badrutt, Chris Heenan… Jonas Kocher's work explores the relationships between tone, noise and silence and the processes of listening. As composer he realizes projects that are situated between composed theater, installation and concert pieces. His compositions has been played at Biennale Bern 2010, Theater Basel, Zentrum Paul Klee, Festival Encuentros Buenos Aires, Umlaut Festival Berlin, Centre Dürrenmatt Neuchâtel, Festival Concentus Moravie, Zagreb Biennale. He composes also for hörspiel, dance and theater. Jonas Kocher is also involved as an organizer of different events in Switzerland and runs the label flexion records.

Chris Heenan (Washington D.C., 1969) lives in Berlin and is an active composer/ performer and organizer of experimental music. He performs on alto saxophone, contrabass clarinet, and analog synthesizer in contexts ranging from solo to large groups and in various ongoing projects. He uses these instruments to investigate new musical forms, noise, and improvisation both in his solo work and in collaboration with composers and performers such as actors, musicians, dancers, and visual artists. Heenan has developed a formidable solo voice on his wind instruments, particularly with the contrabass clarinet where he uses extended techniques, often incorporating multiphonics with surprising results, to reveal the subtleties inherent to the instrument. Heenan’s regular projects include Nordzucker (with Michael Maierhof, Birgit Ulher, and Lars Scherzberg), PIVOT (with Liz Allbee), Trigger (with Matthias Müller and Nils Ostendorf), Team Up (a trio with Jeremy Drake and a revolving third member percussionist), Phantom Limb and Bison (with Chris Forsyth, Jaime Fennelly, and Shawn Hansen), a duo with zitherist Dimitra Lazaridou Chatzigoga and a contrabass clarinet and percussion duo with Michael Vorfeld.


Bhob Rainey, a soprano saxophonist and composer, is best known as a solo artist and as one half of Nmperign, with whom he plays alien extended technique effects that are influenced by electronic music, environmental sounds and free improvisation. Rainey studied at the New England Conservatory of Music with free jazz saxophonist Joe Maneri. Rainey's music during his early- to mid-twenties was, like Maneri's, characterized by long microtonal lines. Rainey's first CD, Ink, featuring Dan DeChellis, was released in 1997. After a controversial 1998 solo concert in Washington D. C. attracted a considerable amount of attention to Rainey's music, he and trumpeter Greg Kelley formed Nmperign with the goal of avoiding linear approaches to form and melodic contour. Nmperign, including Rainey, Kelley and Tatsuya Nakatani, recorded its first CD in 1998.

Since 1998, Rainey has recorded extensively, including a number of projects with nmperign (minus Nakatani) and collaborations with musicians and composers like Jason Lescalleet, Le Quan Ninh, Ralf Wehowsky, etc. He continues to pursue a more sound-based (as opposed to note-based) approach in his work with nmperign, whereas his solo work, while far from traditional, often involves the use of more melodic lines. Since 2000, he has also led the bsc, a large ensemble that uses both acoustic instruments and electronics.

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