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DTSTART;TZID=America/New_York:20121104T160000
DTEND;TZID=America/New_York:20121104T183000
DTSTAMP:20260628T023744
CREATED:20190429T171759Z
LAST-MODIFIED:20190429T171830Z
UID:10000974-1352044800-1352053800@www.bowerbird.org
SUMMARY:Network for New Music performs Cage's Solos
DESCRIPTION:Taking advantage of the unique character of each instrument\, members of Philadelphias venerable Network for New Music perform solos from Cage’s Concert for Piano and Orchestra (1958 – 59)\, offering a broad sampling instrumental timbres and compositional styles. These works will be performed in tandem with the choreographed movements of the Merce Cunningham dancers on the exhibitions Main Stage.
URL:https://www.bowerbird.org/event/network-for-new-music-performs-cages-solos/
LOCATION:Philadelphia Museum of Art
ATTACH;FMTTYPE=image/jpeg:https://www.bowerbird.org/wp-content/uploads/2019/04/Network_New_Music-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20121103T200000
DTEND;TZID=America/New_York:20121104T080000
DTSTAMP:20260628T023744
CREATED:20190429T172141Z
LAST-MODIFIED:20190429T172327Z
UID:10000975-1351972800-1352016000@www.bowerbird.org
SUMMARY:John Cage's Organ2 / ASLSP
DESCRIPTION:One of the ideas central to Cages philosophy was asking us to consider the way we listen to and perceive music. Monumental in its duration\, this performance of Cages Organ2 / ASLSP challenges the traditional parameters of a concert and asks us to choose our own path to engage with the music. \nPresented by organist Parker Kitterman and others throughout the evening and into the early morning hours on Nov. 4\, Organ2 / ASLSP will be performed on the powerful Curtis Organ housed in Philadelphias historic Christ Church. \nCages work is the subject of one of the longest-lasting musical performances yet undertaken: The current performance of this piece began in 2001 at St. Burchardi church in Halberstadt\, Germany\, and is scheduled to have a duration of 639 years. The title stands for “As SLow(ly) and Soft(ly) as Possible” and also refers to “Soft morning city. Lsp!” (from James Joyce’s ‘Finnegans Wake’).
URL:https://www.bowerbird.org/event/john-cages-organ2-aslsp/
LOCATION:Christ Church\, 2nd Above Market\, Philadelphia\, PA\, 19106\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bowerbird.org/wp-content/uploads/2019/04/Christ_Church_Organ.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20121103T120000
DTEND;TZID=America/New_York:20121103T160000
DTSTAMP:20260628T023744
CREATED:20190429T172702Z
LAST-MODIFIED:20190429T172702Z
UID:10000976-1351944000-1351958400@www.bowerbird.org
SUMMARY:Cage: Silence and Beyond
DESCRIPTION:Cage often referred to his silent piece as his most important work\, but does this piece overshadow his other artistic contributions\, and most importantly\, his craft as a composer? A series of talks and artistic responses explore the complex and interwoven ideas of 433 (1952) and beyond. \nPart of the Cage: Beyond Silence festival.\nhttp://cagebeyondsilence.com/
URL:https://www.bowerbird.org/event/cage-silence-and-beyond/
LOCATION:Philadelphia Museum of Art
ATTACH;FMTTYPE=image/jpeg:https://www.bowerbird.org/wp-content/uploads/2018/12/Cage-preparing-piano-1-cropped.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20121101T200000
DTEND;TZID=America/New_York:20121101T220000
DTSTAMP:20260628T023744
CREATED:20190429T173026Z
LAST-MODIFIED:20190502T161322Z
UID:10000977-1351800000-1351807200@www.bowerbird.org
SUMMARY:Cage's Music of Changes
DESCRIPTION:Composed in 1951\, Music of Changes was Cages first instrumental composition entirely derived from chance procedures. Cage applied a book of the I Ching\, a recent gift from a young Christian Wolff\, to various parameters in the music: tempi\, dynamics\, sounds and silences\, durations and superimpositions. The resulting music is one of pointed extremes and dense counterpoint. The piano is played\, not only by using the keys\, but also by plucking the strings with finger nails\, playing cymbal beaters on the strings\, and even slamming the keyboard lid. First premiered by David Tudor\, a generation later\, pianist Joseph Kubera provides an unyielding and complete interpretation of this complex and virtuosic work. \n  \nPart of the Cage: Beyond Silence festival.
URL:https://www.bowerbird.org/event/cages-music-of-changes/
LOCATION:Trinity Center for Urban Life\, 2212 Spruce St\, Philadelphia\, PA\, 19103\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bowerbird.org/wp-content/uploads/2019/04/Cage_Thirteen.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20121028T200000
DTEND;TZID=America/New_York:20121028T213000
DTSTAMP:20260628T023744
CREATED:20190502T161526Z
LAST-MODIFIED:20190502T161526Z
UID:10000982-1351454400-1351459800@www.bowerbird.org
SUMMARY:POSTPONED: Margaret Leng Tan performs John Cage's Sonatas & Interludes
DESCRIPTION:Pianist Margaret Leng Tan returns for a performance of one of John Cages most important works\, Sonatas and Interludes. Rhythmic and driving\, Sonatas and Interludes is a collection of twenty pieces – sixteen sonatas and four more freely structured interludes – composed for prepared piano\, a Cagean innovation that uses screws\, bolts\, pieces of rubber and plastic\, to reimagine the piano as an orchestra of percussive sounds. Inspired by Indian philosophy and music\, the aim of the pieces is to express the eight permanent emotions of the rasa Indian tradition. \nPart of the Cage: Beyond Silence festival.
URL:https://www.bowerbird.org/event/postponed-margaret-leng-tan-performs-john-cages-sonatas-interludes/
LOCATION:Curtis Field Concert Hall\, 1726 Locust Street\, Philadelphia\, PA\, 19103\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bowerbird.org/wp-content/uploads/2018/12/Cage-preparing-piano-1-cropped.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20121026T170000
DTEND;TZID=America/New_York:20121026T200000
DTSTAMP:20260628T023744
CREATED:20190502T161825Z
LAST-MODIFIED:20190502T161825Z
UID:10000983-1351270800-1351281600@www.bowerbird.org
SUMMARY:Cage: Music for Film
DESCRIPTION:Virtuoso pianist Margaret Leng Tan\, who began her association with Cage in 1981\, performs an eclectic and far ranging program of Cage’s music for piano\, prepared piano\, and toy piano to live projected videos.Compositions include Works of Calder\, Music for Marcel Duchamp\, Cage’s score painting Chess Pieces\, and Music for Piano no. 2\, which will be performed with Rob Dietz’s video projections of Cage’s artwork 10 Stones. \nPart of Cage: Beyond Silence
URL:https://www.bowerbird.org/event/cage-music-for-film/
LOCATION:Philadelphia Museum of Art
ATTACH;FMTTYPE=image/jpeg:https://www.bowerbird.org/wp-content/uploads/2018/12/Cage-preparing-piano-1-cropped.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20121008T200000
DTEND;TZID=America/New_York:20121008T213000
DTSTAMP:20260628T023744
CREATED:20190502T161203Z
LAST-MODIFIED:20190502T161203Z
UID:10000981-1349726400-1349731800@www.bowerbird.org
SUMMARY:POSTPONED: Dan Blacksberg and Jay Campbell perform John Cage solo works
DESCRIPTION:An industrious and inventive mind\, Cage explored new ways to notate music including graphs\, transparencies\, text\, and even start charts. When combined with his use of chance and an ear for the unusual these innovations fueled new frontiers in performance practice and the development of bold new sounds. This evening two young virtuosos\, recent Pew Fellow Dan Blacksberg and fast rising talent Jay Campbell\, tackle some of Cages most inventive and complex works\, including the Solo for Sliding Trombone (1957-8) and the fiendishly difficult Etudes Boreales (1978) for solo cello. \n  \nPart of the Cage: Beyond Silence festival.
URL:https://www.bowerbird.org/event/postponed-dan-blacksberg-and-jay-campbell-perform-john-cage-solo-works/
LOCATION:Philadelphia Art Alliance at the University of the Arts\, 251 S 18th St\, Philadelphia\, PA\, 19103\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bowerbird.org/wp-content/uploads/2018/12/Cage-preparing-piano-1-cropped.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20120916T200000
DTEND;TZID=America/New_York:20120916T220000
DTSTAMP:20260628T023744
CREATED:20190502T162520Z
LAST-MODIFIED:20190502T162520Z
UID:10000984-1347825600-1347832800@www.bowerbird.org
SUMMARY:CHRIS HEENAN & JONAS KOCHER + BHOB RAINEY
DESCRIPTION:CHRIS HEENAN & JONAS KOCHER (accordian)\nBHOB RAINEY (solo electronics) \n  \nABOUT THE EVENT \nBowerbird commences the fall season with a concert featuring first rate music from local and distant sources. This is a rare chance to see the duo of Berlin-based American contrabass clarinetist Chris Heenan and Swiss accordianist Jonas Kocher (who are in the midst of a US tour) and perhaps the first of what we hope to be more regular local appearances by recent Philadelphia transplant Bhob Rainey\, who will be doing a set of solo electronics. \nChris Heenan and Jonas Kocher work with the unlikely pairing of contrabass clarinet and accordion using improvisation to create worlds of changing depth and mood that both expand upon and fixate on particular sonic zones while simultaneously belying the instrumentation of the duo. Sudden shifts in texture and tempo give way to areas of quiet and stasis\, a reprieve from constant movement that gives way to a burst of loud focused activity. \nBhob Rainey’s eight member BSC will be appearing in Philadelphia later this fall\, performing two original realizations of John Cage’s “Song Books” (1970). \n  \nMade possible with the support of Pro Helvetia\, the Swiss Arts Council.
URL:https://www.bowerbird.org/event/chris-heenan-jonas-kocher-bhob-rainey/
LOCATION:Vox Populi\, 319 N 11th St\, 3rd Floor\, Philadelphia\, PA\, 19107\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bowerbird.org/wp-content/uploads/2019/05/Duo_Heenan_Kocher_large.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20120615T200000
DTEND;TZID=America/New_York:20120615T220000
DTSTAMP:20260628T023744
CREATED:20190502T163529Z
LAST-MODIFIED:20190502T163529Z
UID:10000985-1339790400-1339797600@www.bowerbird.org
SUMMARY:Bernard Parmegiani's "De natura sonorum"
DESCRIPTION:Bernard Parmegiani (b. 1927): “De natura sonorum” (1975)\nSuite in twelve movements \nDigital artist Peter Price will perform live projected visuals to accompany the digital playback. The concert will be preceded by a brief introductory talk by Thomas Patteson. \nABOUT THE EVENT \nBuilding on the acoustic investigations of his teacher Pierre Schaeffer\, the founder of musique concrete\, French composer Bernard Parmegiani creates what he calls “acousmatic music” — a kind of sonic art conceived especially for presentation through loudspeakers\, designed to invoke powerful mental images through the pure play of disembodied sound. Parmegiani’s 1975 composition De natura sonorum is an unrivaled masterpiece in this genre. Each of the work’s 12 movements is an etude in which opposing sonic properties–percussive versus sustained tones\, or synthetic versus natural–are played against each other in a highly refined counterpoint of acoustic forms. At once playful and imposing\, sensual and cerebral\, De natura sonorum leads the listener on a unique exploration of the nature of sound.
URL:https://www.bowerbird.org/event/bernard-parmegianis-de-natura-sonorum/
LOCATION:The Rotunda\, 4014 Walnut St\, Philadelphia\, PA\, 19104\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bowerbird.org/wp-content/uploads/2019/05/Parmegiani.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20120602T120000
DTEND;TZID=America/New_York:20120602T160000
DTSTAMP:20260628T023744
CREATED:20190502T164143Z
LAST-MODIFIED:20190502T164143Z
UID:10000986-1338638400-1338652800@www.bowerbird.org
SUMMARY:Workshop:  Listen Here Now
DESCRIPTION:Listen Here Now investigates how listening\, recording and mapping can transform our sense of place\, time and physical relationship to a given location in the neighborhood of Pt. Breeze/Grays Ferry. This workshop involves listening\, recording and mapping sound. Through focused listening\, the participant becomes more aware of their environment as they discover their surrounding in an audible way. Each participant will be mapping out their sonic experience thereby creating a narrative of their relationship to the given location. \nUsing a map and a recording device\, each participant will track their movement through space. Starting and ending at a designated place and time\, each participant will navigate their walks based on what they hear\, thereby shaping the trajectory of their sonic journey. Participants are to stop\, listen and record the surrounding landscape and mark the location on their maps. The recordings and maps will be gathered\, then later on strung together in a composition that visually and audibly reference each other. \n  \nSound Places is a part of Commotion\, a project that brings together diverse art makers and communities to interact and explore the Grays Ferry\, Point Breeze\, and South of South Street neighborhoods of Philadelphia in unique and unexpected ways.
URL:https://www.bowerbird.org/event/workshop-listen-here-now/
LOCATION:Zion Hill Memorial Baptist Church\, 2702 Ellsworth St\, Philadelphia\, PA\, 19146\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bowerbird.org/wp-content/uploads/2019/05/dumlao.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20120526T120000
DTEND;TZID=America/New_York:20120526T160000
DTSTAMP:20260628T023744
CREATED:20190502T164648Z
LAST-MODIFIED:20190502T164648Z
UID:10000987-1338033600-1338048000@www.bowerbird.org
SUMMARY:Workshop: Mobile Field Recording
DESCRIPTION:This workshop will introduce participants to mobile field recording in an urban park setting. We will listen to and record the sounds of traffic\, the recycling center\, park visitors on foot/bicycle/ rollerblade/skateboard/ segway/stroller\, aircraft\, and watercraft. Non human-made sounds that may also be encountered include birds\, the wind\, insects\, squirrels\, rats\, feral dogs\, and water lapping against the riverbank. While the only certain sound will be that of automobile traffic\, it is very likely that we will also encounter sounds we do not expect. We will discuss microphone polar patterns\, stereo methods\, recording\, playback/delivery considerations\, storage\, best practices\, editing\, processing\, geotagging\, metadata\, archiving\, and equipment. Workshop participants will walk approximately 2 miles (from the starting point and back). There will be 8 spots available; headphones will be provided. \n  \nSound Places is a part of Commotion\, a project that brings together diverse art makers and communities to interact and explore the Grays Ferry\, Point Breeze\, and South of South Street neighborhoods of Philadelphia in unique and unexpected ways.
URL:https://www.bowerbird.org/event/workshop-mobile-field-recording/
LOCATION:Schuylkill Banks Grays Ferry Crescent
ATTACH;FMTTYPE=image/jpeg:https://www.bowerbird.org/wp-content/uploads/2019/05/philadelphia-pa-desktop.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20120420T200000
DTEND;TZID=America/New_York:20120420T230000
DTSTAMP:20260628T023744
CREATED:20190502T165116Z
LAST-MODIFIED:20190502T165116Z
UID:10000988-1334952000-1334962800@www.bowerbird.org
SUMMARY:Diamond Terrifier + Femme Tops + Wait + Patrick Higgins
DESCRIPTION:Difficult to summarize\, yet unified in ethos and affect\, this evening features three solo projects – Diamond Terrifier (Sam Hillmer of the Zs’s)\, Partrick Higgins (in an extensive reworking of JS Bach’s music)\, and Wait (a solo electronics project by Robert J). Also on the evening is a new quartetFemme Tops featuring Alex Hampshire\, Rick Weaver\, Evan Lipson\, and Jeff Zagers.
URL:https://www.bowerbird.org/event/diamond-terrifier-femme-tops-wait-patrick-higgins/
LOCATION:The Rotunda\, 4014 Walnut St\, Philadelphia\, PA\, 19104\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bowerbird.org/wp-content/uploads/2019/05/Diamond_Terrifier.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20111111T200000
DTEND;TZID=America/New_York:20111111T230000
DTSTAMP:20260628T023744
CREATED:20190502T165928Z
LAST-MODIFIED:20190502T165928Z
UID:10000989-1321041600-1321052400@www.bowerbird.org
SUMMARY:Michael Gordon's TIMBER
DESCRIPTION:American composer Michael Gordon’s new piece\, Timber\, is an evening-length tour de force. Scored for six graduated wooden Simantras — Greek liturgical percussion instruments used by French composer Iannis Xenakis — the work brings the physicality\, endurance and technique of percussion performance to a new level. In this new work\, Gordon shapes the music in both polyrhythmic and dynamic waves of textures — often each players’ hands are in separate rhythmic ‘worlds’\, each traversing a different dynamic contour from loud to soft to loud\, similar in some respects to his solo for percussion\, XY. \nMuch of Gordon’s music demonstrates a deep exploration into the extreme possibilities and stunning nature of rhythm\, as well as the enriching\, yet disturbing\, multidimensionality of polyrhythmic layers — what has been termed in his music to be\, “glorious confusion.” Many of Gordon’s works\, including Trance\, Gotham\, Decasia\, and his most recent orchestral work\, Dystopia\, point to Gordon’s interest in complex rhythmic and textural territory. Gordon’s percussion sextet takes these elements and explores the extreme possibilities of rhythm and texture to a beautifully intense degree. The new evening-length work is indeed a unique and exciting addition to the world of percussion. \nPresented with Crane Arts
URL:https://www.bowerbird.org/event/michael-gordons-timber/
LOCATION:Crane Arts\, 1400 N American St\, Philadelphia\, PA\, 19122
ATTACH;FMTTYPE=image/jpeg:https://www.bowerbird.org/wp-content/uploads/2019/05/michael-gordon.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20111021T200000
DTEND;TZID=America/New_York:20111021T220000
DTSTAMP:20260628T023744
CREATED:20190502T170317Z
LAST-MODIFIED:20190502T170317Z
UID:10000990-1319227200-1319234400@www.bowerbird.org
SUMMARY:POWERS OF TEN
DESCRIPTION:When we think of documentary films\, we probably call to mind certain familiar forms\, such as archival footage of World War II battles or British-accented narration of natural scenes. But conceived in the broadest terms\, the documentary is an extremely diverse cinematic genre with at least as much room for artistic experimentation as the fictional film. This program is intended to trace the fascinating variety of short documentary films\, which spans the roughly century-long history of cinema itself. \n  \nIn different ways\, the films featured in this program explore the possible meanings of cinema as a vehicle for human knowledge and aesthetic pleasure. Some are self-consciously experimental\, while others challenge us through their historical and cultural distance from our ingrained habits of perception. All these films both expand our experience of the world and force us to re-examine our comfortable relationship with the “reality” that film presents.
URL:https://www.bowerbird.org/event/powers-of-ten/
LOCATION:The Rotunda\, 4014 Walnut St\, Philadelphia\, PA\, 19104\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bowerbird.org/wp-content/uploads/2019/05/Powers-of-ten-eames.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20110916T200000
DTEND;TZID=America/New_York:20110916T220000
DTSTAMP:20260628T023744
CREATED:20190502T170741Z
LAST-MODIFIED:20190502T170855Z
UID:10000991-1316203200-1316210400@www.bowerbird.org
SUMMARY:Xavier Le Roy's More Mouvements für Lachenmann
DESCRIPTION:Something between dance\, music and theater\, More Mouvements für Lachenmann is French choreographer Xavier Le Roy’s poetic and fascinating version of a contemporary music concert from the point of view of someone obsessed with movement. This dance for eight extraordinary virtuoso musicians\, including members of the Austrian new music ensemble Klangforum Wien\, breaks down the work of making music by uncoupling sounds and movements\, sonic events and silences\, actions and stillness. More Mouvements includes the Lachenmann works “Pression\,” “Salut für Caudwell\,” and “Gran Torso.” \n  \n  \nPROGRAM DETAILS \n  \nXavier Le Roy holds a doctorate in molecular biology from the University of Montpellier\, France\, and has worked as a dancer and choreographer since 1991. He has performed with diverse companies and choreographers. From 1996 to 2003\, he was artist-in-residence at the Podewil in Berlin. In 2007-2008 he was “Associated Artist”at Centre Chorégraphique National de Montpellier\, France. In 2010 Le Roy is an Artist in Residence fellow at the MIT Program in Art Culture and Technology (Cambridge\, MA). Through his solo works such as Self Unfinished (1998) and Product of Circumstances (1999)\, he has opened new perspectives for dance and his individual approach has radicalized academic discourse about the body and choreographic art. Le Roy develops his work like a researcher\, while simultaneously focusing on the relationships between process and product and his own involvement in the process. He regularly initiates projects to question modes of production\, collaboration and conditions of group work with projects such as E.X.T.E.N.S.I.O.N.S.(1999-2000)\, Project (2003)\, and 6 Months 1 Location (2008). His latest works\, such as the solos Le Sacre du Printemps (2007) and Product of Other Circumstances (2009)\, as well as the group piece low pieces (2009-2011)\, explore more explicitly diverse mode of relationships between spectators and performers. \n  \nXavier Le Roy’s More Mouvements für Lachenmann is the culmination of several years of artistic exploration of the relationship between music and dance\, sound and movement. As early as 2003\, Le Roy was creating choreography for the music of Edgar Varese and Bernard Rands\, but it was with his 2007 solo work Le Sacre du Printemps in which he directly confronted the reality and multilayered contradictions in the sound/movement relationship. \n  \nIn Sacre Le Roy observed the Berlin Philharmonic during a rehearsal of Stravinsky’s Rite of Spring\, and took keen interest in the conductor’s movement\, and the precipitous ambiguity as to whether the conductor’s movement was driving music\, or the music was binding the conductor to certain movement. It is here that Le Roy began to explore ideas of synchronicity between the visual and the sonic cues in performance as he magnified the inherent theatricality within them. \n  \nMore Mouvements takes Le Roy’s earlier explorations and brings them to fuller fruition through the pairing of a more historically developed\, and conceptually apropos partner in Lachenmann. In many ways\, More Mouvements\, is as much based on Lachenmann’s music as it is about the music\, and the composer’s own peculiar relationship with sound\, sound production\, and the exceptional demands put on the musicians. \n  \nLachenmann has referred to his compositions as musique concrète instrumentale\, implying a musical language that embraces the entire sound-world made accessible through unconventional playing techniques. His music is therefore primarily derived from the most basic of sounds\, which through processes of amplification serve as the bases for extended works. His scores place enormous demands on performers\, due to the plethora of techniques that he has invented. \n  \nLachenmann’s gravitation toward these basic parameters of sound\, and his somewhat contradictory creation of new techniques to execute the ‘normal’ sounds\, is very much echoed in the deceptively pedestrian movement vocabulary of Le Roy’s other work\, or\, for example\, the technique required to make an illusion of a moving headless body\, as in his solo piece Self Unfinished\, (1998). The aesthetic marriage is so complete that Le Roy is able to draw so deeply from the visual cues of Lachenmann’s music that More Mouvements für Lachenmann does not require any dancers (in the traditional sense) to perform. And though the movements of the performers are very much ‘dancerly’ at times\, the work\, like much of Le Roy’s work\, invites the most fundamental question\, “What is dance?” \n  \nCREDITS \nChoreography Xavier Le Roy\nMusic Helmut Lachenmann (b. 1935)\nPerformers Gunter Schneider (guitar)\, Barbara Romen (guitar)\, Tom Pauwels (guitar)\, Günther Lebbing (guitar)\, Annette Bik (violin)\, Sophie Schafleitner (violin)\, Dimitrios Polisoidis (viola)\, Andreas Lindenbaum (cello)\nDramaturg Bojana Cvejic\, Berno Odo Polzer\nTechnical Director Götz Dihlman\nSound Engineer Wolfgang Musil \n  \n  \nThe presentation of More Mouvements für Lachenmann in the 2011 Philadelphia Live Arts Festival is supported by The Pew Center for Arts & Heritage through Dance Advance.
URL:https://www.bowerbird.org/event/xavier-le-roys-more-mouvements-fur-lachenmann/
LOCATION:Arts Bank\, 601 S. Broad Street\,\, Philadelphia\, PA\, 19147\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bowerbird.org/wp-content/uploads/2019/05/Le-Roy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20110306T193000
DTEND;TZID=America/New_York:20110306T213000
DTSTAMP:20260628T023744
CREATED:20190502T171336Z
LAST-MODIFIED:20190530T151218Z
UID:10000992-1299439800-1299447000@www.bowerbird.org
SUMMARY:Blind Date: Part 2
DESCRIPTION:We invited ten of the most interesting performers – five musicians and five dancers – and paired them up with someone they’ve never performed with – on a Blind Date. We played match maker – and we were careful to take risks. What will happen? We don’t exactly know\, but Blind Date is here to inspire that conversation\, to bring the possibilities between music and dance into focus\, to help us understand and challenge the continuum of improvisation and composition in performance\, and to anticipate the unknown\, and the inherent potential for disaster but also greatness that comes from this edge of inquiry. We liked this idea so much\, we did it twice. \n  \nThe lineup for part two is: \nBethany Formica & Jeb Lewis \nLisa Kraus & Tatsuya Nakatani \nMakoto Hirano & Evan Lipson \nScott McPheeters & Sam Cusamano \nLorin Lyle & Gene Coleman
URL:https://www.bowerbird.org/event/blind-date-part-2/
LOCATION:Christ Church Neighborhood House\, 20 N American St\, Philadelphia\, PA\, 19106
ATTACH;FMTTYPE=image/png:https://www.bowerbird.org/wp-content/uploads/2019/05/bowerbird-presents-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20110305T210000
DTEND;TZID=America/New_York:20110305T230000
DTSTAMP:20260628T023744
CREATED:20190513T172732Z
LAST-MODIFIED:20190513T172732Z
UID:10000993-1299358800-1299366000@www.bowerbird.org
SUMMARY:ORGAN: Marshall Allen & Farid Barron
DESCRIPTION:Blistering virtuosity from another dimension. Legendary saxophonist Marshall Allen and keyboardist Farid Barron – both from the cosmic Sun Ra Arkestra – join for a duo of sonic exchanges\, at the very edge of possibility. Critics have described Marshall as one of the most distinctive and original saxophonists of the postwar era. Pianist Farid Barron was born and raised in Philadelphia and has performed with Wynton Marsalis\, Ralph Peterson\, Johnny Coles\, Mickey Roker\, and Bobby Durham\, among others.
URL:https://www.bowerbird.org/event/organ-marshall-allen-farid-barron/
LOCATION:Christ Church\, 2nd Above Market\, Philadelphia\, PA\, 19106\, United States
ATTACH;FMTTYPE=image/png:https://www.bowerbird.org/wp-content/uploads/2019/05/Marshall_Allen.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20110305T193000
DTEND;TZID=America/New_York:20110305T233000
DTSTAMP:20260628T023744
CREATED:20190513T173019Z
LAST-MODIFIED:20190513T173019Z
UID:10000994-1299353400-1299367800@www.bowerbird.org
SUMMARY:COMBO: Marshall Allen / Farid Barron + Subcircle
DESCRIPTION:Blistering virtuosity from another dimension. Legendary saxophonist Marshall Allen and keyboardist Farid Barron – both from the cosmic Sun Ra Arkestra – join for a duo of sonic exchanges\, at the very edge of possibility. Critics have described Marshall as one of the most distinctive and original saxophonists of the postwar era. Pianist Farid Barron was born and raised in Philadelphia and has performed with Wynton Marsalis\, Ralph Peterson\, Johnny Coles\, Mickey Roker\, and Bobby Durham\, among others. \nOnly Sleeping is a dance and design rabbit hole with unseen possibilities revealed at every moment. A dialogue between video and live performer\, a silent film faces a live dancer with an original score that tests the boundary of imagination\, loneliness and detachment. Subcircle’s work\, in collaboration with Geoff Sobelle\, of rainpan 43\, and with music by Michael Kiley asks the audience to come with them on an adventure yet unknown. The goal remainsto test people’s ideas of where they see dance and theatre\, how\, and most importantly\, why.
URL:https://www.bowerbird.org/event/combo-marshall-allen-farid-barron-subcircle/
LOCATION:Christ Church\, 2nd Above Market\, Philadelphia\, PA\, 19106\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bowerbird.org/wp-content/uploads/2019/05/allen_farid2_640.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20110304T213000
DTEND;TZID=America/New_York:20110304T230000
DTSTAMP:20260628T023744
CREATED:20190523T172057Z
LAST-MODIFIED:20190523T172057Z
UID:10000995-1299274200-1299279600@www.bowerbird.org
SUMMARY:ORGAN: Parker Kitterman
DESCRIPTION:Pulling out all the stops: this is chance to hear the Curtis Organ played by its year-round keeper. Parker’s newly appointed tenure at Christ Church has radically changed the musical content in the congregation. He is bringing a 17th century parish to the 21st by bringing amusical genres and traditions not often associated with the service. He also performs regularly as a recitalist\, where his repertoire ranges from the late Renaissance and early Baroque to the French Romantic/Symphonic period to great and little-known works of the 20th and 21st centuries\, and includes original works\, transcriptions\, and improvisation.
URL:https://www.bowerbird.org/event/organ-parker-kitterman/
LOCATION:Christ Church\, 2nd Above Market\, Philadelphia\, PA\, 19106\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bowerbird.org/wp-content/uploads/2019/05/Kitterman_Organ.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20110304T200000
DTEND;TZID=America/New_York:20110304T230000
DTSTAMP:20260628T023745
CREATED:20190523T172223Z
LAST-MODIFIED:20190523T172223Z
UID:10000996-1299268800-1299279600@www.bowerbird.org
SUMMARY:COMBO: Parker Kitterman + Subcircle
DESCRIPTION:A chance to hear the organ played by its year-round keeper. Parker’s newly appointed tenure at Christ Church has radically changed the musical content in the congregation. He is bringing the 17th century parish to the 21st by incorporating musical genres and traditions not often associated with the Service \nA dialogue between video and live performer\, Only Sleeping treads inside the realm of contemporary loneliness and detachment; the contradiction of choice and inevitability. Subcircle’s work\, in collaboration with Geoff Sobelle\, of rainpan 43 and with music by Mike Kiley asks the audience to come with them on an adventure yet unknown. A dance-video tour de force\, Subcircle is the collaboration between choreographer Niki Cousineau and designer Jorge Cousineau. Founded in 1998\, the company is committed to creating work that transforms theatrical and site-specific spaces\, merging dance\, sound\, set design\, lighting and film. With collaboration at its core\, Subcircle’s inventive collaborations build scenarios that engulf audiences in full-scale atmospheric environments.
URL:https://www.bowerbird.org/event/combo-parker-kitterman-subcircle/
LOCATION:Christ Church\, 2nd Above Market\, Philadelphia\, PA\, 19106\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bowerbird.org/wp-content/uploads/2019/05/Kitterman_Organ.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20110303T210000
DTEND;TZID=America/New_York:20110303T230000
DTSTAMP:20260628T023745
CREATED:20190523T172422Z
LAST-MODIFIED:20190523T172422Z
UID:10000997-1299186000-1299193200@www.bowerbird.org
SUMMARY:ORGAN: The Dufala Brothers
DESCRIPTION:Steven and Billy Blaise Dufala practice in a variety of media\, approaching sculpture\, theater\, performance\, music\, digital media\, and good old-fashioned drawing with equal passion and zeal. They organized a now infamous toilet-trike race through the streets of Old City and they rode a cardboard tank across town on city streets during rush hour\, amazing pedestrians\, puzzling motorists\, and in general\, giving the audience a dose of dark\, dark humor. Steven was a founding member of the experimental\, performative band\, Man Man\, in which Billy currently performs
URL:https://www.bowerbird.org/event/organ-the-dufala-brothers/
LOCATION:Christ Church\, 2nd Above Market\, Philadelphia\, PA\, 19106\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bowerbird.org/wp-content/uploads/2019/05/dufala.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20110303T200000
DTEND;TZID=America/New_York:20110303T230000
DTSTAMP:20260628T023745
CREATED:20190523T172514Z
LAST-MODIFIED:20190523T172514Z
UID:10000998-1299182400-1299193200@www.bowerbird.org
SUMMARY:COMBO: The Dufala Brothers + Subcircle
DESCRIPTION:Steven and Billy Blaise Dufala practice in a variety of media\, approaching sculpture\, theater\, performance\, music\, digital media\, and good old-fashioned drawing with equal passion and zeal. They organized a now infamous toilet-trike race through the streets of Old City and they rode a cardboard tank across town on city streets during rush hour\, amazing pedestrians\, puzzling motorists\, and in general\, giving the audience a dose of dark\, dark humor. Steven was a founding member of the experimental\, performative band\, Man Man\, in which Billy currently performs.
URL:https://www.bowerbird.org/event/combo-the-dufala-brothers-subcircle/
LOCATION:Christ Church\, 2nd Above Market\, Philadelphia\, PA\, 19106\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bowerbird.org/wp-content/uploads/2019/05/dufala.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20110303T193000
DTEND;TZID=America/New_York:20110303T213000
DTSTAMP:20260628T023745
CREATED:20190523T172818Z
LAST-MODIFIED:20190523T172818Z
UID:10000999-1299180600-1299187800@www.bowerbird.org
SUMMARY:DANCE: Subcircle: Only Sleeping
DESCRIPTION:Only Sleeping is a dance and design rabbit hole with unseen possibilities revealed at every moment. A dialogue between video and live performer\, a silent film faces a live dancer with an original score that tests the boundary of imagination\, loneliness and detachment. Subcircle’s work\, in collaboration with Geoff Sobelle\, of rainpan 43\, and with music by Michael Kiley asks the audience to come with them on an adventure yet unknown. The goal remainsto test people’s ideas of where they see dance and theatre\, how\, and most importantly\, why.
URL:https://www.bowerbird.org/event/dance-subcircle-only-sleeping/
LOCATION:Christ Church\, 2nd Above Market\, Philadelphia\, PA\, 19106\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bowerbird.org/wp-content/uploads/2019/05/subcircle.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20110302T210000
DTEND;TZID=America/New_York:20110302T230000
DTSTAMP:20260628T023745
CREATED:20190523T173018Z
LAST-MODIFIED:20190523T173018Z
UID:10001000-1299099600-1299106800@www.bowerbird.org
SUMMARY:ORGAN: Andrew Thiboldeaux
DESCRIPTION:Andrew is probably best known as half of Pattern is Movement\, a indie rock band where he sings and plays keys. Its sounds like he’s going to be drummer and a couple of horn players. We can’t decide: will it be the indie-cabaret-lumberjack-crooner vibe or the shimmering-orchestral-polyrhythmic pop that’s going to be most amazing to hear transferred onto the big pipes of Christ Church.
URL:https://www.bowerbird.org/event/organ-andrew-thiboldeaux/
LOCATION:Christ Church\, 2nd Above Market\, Philadelphia\, PA\, 19106\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bowerbird.org/wp-content/uploads/2019/05/pattern-is-movement_wide-3f1f1e1fb718f9a772c99a569d876b7b21322e96.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20110227T193000
DTEND;TZID=America/New_York:20110227T230000
DTSTAMP:20260628T023745
CREATED:20190530T145336Z
LAST-MODIFIED:20190530T145336Z
UID:10001011-1298835000-1298847600@www.bowerbird.org
SUMMARY:Blind Date: Part 1
DESCRIPTION:We invited ten of the most interesting performers – five musicians and five dancers – and paired them up with someone they’ve never performed with – on a Blind Date. We played match maker – and we were careful to take risks. What will happen? We don’t exactly know\, but Blind Date is here to inspire that conversation\, to bring the possibilities between music and dance into focus\, to help us understand and challenge the continuum of improvisation and composition in performance\, and to anticipate the unknown\, and the inherent potential for disaster but also greatness that comes from this edge of inquiry. We liked this idea so much\, we did it twice. \n  \nThe lineup for part one is: \n  \nMegan Bridge & Joo Wan Park \nShavon Norris & Andrew Nelson \nJumatatu Poe & Gillian Grassie \nLeah Stein / Germaine Ingram & Dave Champion / Dan Blacksberg
URL:https://www.bowerbird.org/event/blind-date-part-1/
LOCATION:Christ Church\, 2nd Above Market\, Philadelphia\, PA\, 19106\, United States
ATTACH;FMTTYPE=image/png:https://www.bowerbird.org/wp-content/uploads/2019/05/bowerbird-presents.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20110226T210000
DTEND;TZID=America/New_York:20110226T230000
DTSTAMP:20260628T023745
CREATED:20190530T145634Z
LAST-MODIFIED:20190530T145634Z
UID:10001013-1298754000-1298761200@www.bowerbird.org
SUMMARY:ORGAN: Tony Conrad
DESCRIPTION:Tony Conrad is considered one of the first minimal composer / performers\, associated in his early period with La Monte Young\, John Cale\, Henry Flynt and legendary New York underground filmmaker Jack Smith. Conrad is also acknowledged as a pioneer of structuralist filmmaking (his 1960s film The Flicker is one of the key early works of the structural film movement)\, and in recent years he has presented and performed at festivals and events worldwide. During the last ten years\, Conrad has focused on music and performing recent works in new music venues\, museums and clubs in the US and internationally. He has composed more than a dozen works\, primarily for solo amplified violin with amplified strings\, using special tunings and scales.
URL:https://www.bowerbird.org/event/organ-tony-conrad/
LOCATION:Christ Church\, 2nd Above Market\, Philadelphia\, PA\, 19106\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bowerbird.org/wp-content/uploads/2019/05/Tony_Conrad.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20110226T193000
DTEND;TZID=America/New_York:20110226T230000
DTSTAMP:20260628T023745
CREATED:20190530T145824Z
LAST-MODIFIED:20190530T145824Z
UID:10001015-1298748600-1298761200@www.bowerbird.org
SUMMARY:DANCE: Moving Parts/PIMA Group
DESCRIPTION:Specific. Abstract. Specifically abstract. Meg is an all around movement geek. She makes astonishingly specific movement with dancers who love discussion. Match vs. Match pulls apart a dance while putting it back together\, in a relentless search for identity and connection. A layered examination of architecture and space and the dancing body within (How many parts are you composed of? How about now?)\, all is revealed over time. Sometimes slowly. Sometimes all at once. \nPIMA Group so clearly defies categorization it’s not dance\, its not theater\, its not music\, and yet its all of these things. Featuring live music and video projections\, Ohhorror is a theatrical re-imagining of the evocative moods and mysterious feelings found in horror films and reveals how the cliches can get at the psychological essence of personal nightmares\, inner fears\, demons.
URL:https://www.bowerbird.org/event/dance-moving-parts-pima-group/
LOCATION:Christ Church\, 2nd Above Market\, Philadelphia\, PA\, 19106\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bowerbird.org/wp-content/uploads/2019/05/PIMA-Group.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20110225T210000
DTEND;TZID=America/New_York:20110225T230000
DTSTAMP:20260628T023745
CREATED:20190530T150013Z
LAST-MODIFIED:20190530T150013Z
UID:10001017-1298667600-1298674800@www.bowerbird.org
SUMMARY:ORGAN: Troy Herion
DESCRIPTION:Troy Herion is a composer\, sound designer\, music director and improviser. His music brings together interests in fields relating to biology\, traditional cultures\, visual art\, drama\, and improvisation. Dramatic collaborations have included music for International Opera Theater\, Pig Iron Theatre\, The Wilma Theater\, The Arden Theatre\, and Azuka Theater. He has been nominated for three Barrymore Awards\, including the prestigious F. Otto Haas Emerging Artist Award\, and his work was pronounced Best Sound Design 2006 in Philadelphia Weekly. In 2008 Troy was awarded an Independence Foundation Fellowship to study and perform gamelan music in Bali\, Indonesia with the world-renowned Cudamani ensemble. In 2009 he completed an artist residency at Swarthmore College. Troy is the recipient of the Perkins Prize and Roger Sessions Fellowship of Princeton University\, where he is currently pursuing a PhD in music composition.
URL:https://www.bowerbird.org/event/organ-troy-herion/
LOCATION:Christ Church\, 2nd Above Market\, Philadelphia\, PA\, 19106\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bowerbird.org/wp-content/uploads/2019/05/TroyHerion_Organ.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20110225T193000
DTEND;TZID=America/New_York:20110225T230000
DTSTAMP:20260628T023745
CREATED:20190530T150226Z
LAST-MODIFIED:20190530T150235Z
UID:10001019-1298662200-1298674800@www.bowerbird.org
SUMMARY:COMBO: Troy Herion + Moving Parts / PIMA Group
DESCRIPTION:Troy Herion is a composer\, sound designer\, music director and improviser. His music brings together interests in fields relating to biology\, traditional cultures\, visual art\, drama\, and improvisation. Dramatic collaborations have included music for International Opera Theater\, Pig Iron Theatre\, The Wilma Theater\, The Arden Theatre\, and Azuka Theater. He has been nominated for three Barrymore Awards\, including the prestigious F. Otto Haas Emerging Artist Award\, and his work was pronounced Best Sound Design 2006 in Philadelphia Weekly. In 2008 Troy was awarded an Independence Foundation Fellowship to study and perform gamelan music in Bali\, Indonesia with the world-renowned Cudamani ensemble. In 2009 he completed an artist residency at Swarthmore College. Troy is the recipient of the Perkins Prize and Roger Sessions Fellowship of Princeton University\, where he is currently pursuing a PhD in music composition. \n  \nSpecific. Abstract. Specifically abstract. Meg is an all around movement geek. She makes astonishingly specific movement with dancers who love discussion. Match vs. Match pulls apart a dance while putting it back together\, in a relentless search for identity and connection. A layered examination of architecture and space and the dancing body within (How many parts are you composed of? How about now?)\, all is revealed over time. Sometimes slowly. Sometimes all at once. \n  \nPIMA Group so clearly defies categorization it’s not dance\, its not theater\, its not music\, and yet its all of these things. Featuring live music and video projections\, Ohhorror is a theatrical re-imagining of the evocative moods and mysterious feelings found in horror films and reveals how the cliches can get at the psychological essence of personal nightmares\, inner fears\, demons.
URL:https://www.bowerbird.org/event/combo-troy-herion-moving-parts-pima-group/
LOCATION:Christ Church\, 2nd Above Market\, Philadelphia\, PA\, 19106\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bowerbird.org/wp-content/uploads/2019/05/pima_2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20110224T210000
DTEND;TZID=America/New_York:20110224T230000
DTSTAMP:20260628T023745
CREATED:20190530T150522Z
LAST-MODIFIED:20190530T150522Z
UID:10001021-1298581200-1298588400@www.bowerbird.org
SUMMARY:ORGAN: John Zorn
DESCRIPTION:A extraordinarily gifted and diverse musical mind and recent MacArthur Fellow\, John Zorn is probably the closest thing avant-garde music has had a house hold name in since John Cage. And despite his prolific output as a composer\, arranger\, record producer\, saxophonist and multi-instrumentalist\, opportunities to hear Zorn live in performance\, especially in Philadelphia\, are very rare. The chance to hear John Zorn perform a solo organ concerts – truly once in a lifetime.
URL:https://www.bowerbird.org/event/organ-john-zorn/
LOCATION:Christ Church\, 2nd Above Market\, Philadelphia\, PA\, 19106\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bowerbird.org/wp-content/uploads/2019/05/john_zorn.jpeg
END:VEVENT
END:VCALENDAR