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DTSTART;TZID=America/New_York:20191012T200000
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DTSTAMP:20260428T053624
CREATED:20190829T041758Z
LAST-MODIFIED:20190906T191126Z
UID:10001090-1570910400-1570917600@www.bowerbird.org
SUMMARY:George Crumb: Black Angels
DESCRIPTION:ZEITGEIST: GEORGE CRUMB AT 90 – NIGHT 3 \nThe Daedalus Quartet performs Crumb’s Vietnam War-haunted Black Angels for amplified string quartet\, “a work of frightening intensity\, where Jimi Hendrix and Pierrot Lunaire shake hands with the devil.” A selection of Crumb’s early music rounds out the picture of this essential American artist’s lengthy career. \n\nPROGRAM \nSonata for Solo Violoncello (1955)\nThomas Kraines \nFour Nocturnes (1964)\nMin-Young Kim\, violin\nCharles Abramovic\, piano \nThree Early Songs (1947)\nMeg Bragle\, mezzo-soprano\nJames Primosch\, piano \nA Little Suite For Christmas\, 1979\, A. D. (1980)\nJames Primosch\, piano \nBlack Angels (1970)\nDaedalus String Quartet\nMin-Young Kim and Matilda Kaul\, violins\nJessica Thompson\, viola\, Thomas Kraines\, cello \n\nABOUT THE FESTIVAL \nBowerbird\, the University of Pennsylvania Department of Music\, and the Annenberg Center are pleased to present Zeitgeist: George Crumb at 90\, a three concert festival celebrating more than seventy years of music by Grammy and Pulitzer Prize winning composer George Crumb. Crumb’s music often juxtaposes contrasting musical styles\, ranging from music of the western art-music tradition\, to hymns and folk music\, to non-Western musics. Many of Crumb’s works include programmatic\, symbolic\, mystical and theatrical elements\, which are often reflected in his beautiful and meticulously notated scores. A shy\, yet warmly eloquent personality\, Crumb retired from his teaching position at the University of Pennsylvania after more than thirty years of service. Honored by numerous institutions with honorary Doctorates\, and the recipient of dozens of awards and prizes\, Crumb makes his home just outside of Philadelphia\, in the same house where he and his wife of more than sixty years raised their three children. \n\nThis event is part of  Zeitgeist: George Crumb at 90 \nSupport for this project has been provided by the Musical Fund Society of Philadelphia and the Pennsylvania Council on the Arts\, a state agency funded by the Commonwealth of Pennsylvania and the National Endowment for the Arts\, a federal agency.
URL:https://www.bowerbird.org/event/george-crumb-black-angels/
LOCATION:Annenberg Center\, Harold Prince Theater\, 3680 Walnut St\, Philadelphia\, PA\, 19104\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bowerbird.org/wp-content/uploads/2019/08/Crumb-Night3.jpg
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DTSTART;TZID=America/New_York:20191010T200000
DTEND;TZID=America/New_York:20191010T220000
DTSTAMP:20260428T053624
CREATED:20190829T034455Z
LAST-MODIFIED:20190906T190732Z
UID:10001089-1570737600-1570744800@www.bowerbird.org
SUMMARY:George Crumb: Out of Darkness
DESCRIPTION:ZEITGEIST: GEORGE CRUMB AT 90 – NIGHT 1 \nA collection of George Crumb’s most evocative music performed by Philadelphia’s Arcana New Music Ensemble. The program features the haunting setting Apparition\, with texts drawn from Walt Whitman’s “When Lilacs Last in the Dooryard Bloom’d.” and all four books of Madrigals with text by Spanish poet Federico García Lorca. \n\nPROGRAM \nDream Sequence (Images II) (1976)\nMolly Germer\, violin\nEric Coyne\, cello\nAlyssa Resh\, percussion\nDavid Hughes\, piano \nMundus Canis (A Dog’s World) (1998)\nJordan Dodson\, guitar\nAndy Thierauf\, percussion \nApparition (1979)\nAlize Rozsnyai\, soprano\nDavid Hughes\, piano \nEleven Echoes of Autumn (Echoes I) (1965)\nMolly Germer\, violin\nAnthony Bob\, alto flute\nAndrew Moses\, clarinet\nDavid Hughes\, piano \nMadrigals\, Book I – IV (1965\, 1969)\nElisa Sutherland\, mezzo-soprano\nNicholas Handahl\, flute\nElizabeth Steiner\, harp\nAndy Thierauf\, percussion\nDavi Ciriaco\, double bass \n\nABOUT THE FESTIVAL \nBowerbird\, the University of Pennsylvania Department of Music\, and the Annenberg Center are pleased to present Zeitgeist: George Crumb at 90\, a three concert festival celebrating more than seventy years of music by Grammy and Pulitzer Prize winning composer George Crumb. Crumb’s music often juxtaposes contrasting musical styles\, ranging from music of the western art-music tradition\, to hymns and folk music\, to non-Western musics. Many of Crumb’s works include programmatic\, symbolic\, mystical and theatrical elements\, which are often reflected in his beautiful and meticulously notated scores. A shy\, yet warmly eloquent personality\, Crumb retired from his teaching position at the University of Pennsylvania after more than thirty years of service. Honored by numerous institutions with honorary Doctorates\, and the recipient of dozens of awards and prizes\, Crumb makes his home just outside of Philadelphia\, in the same house where he and his wife of more than sixty years raised their three children. \n\nThis event is part of  Zeitgeist: George Crumb at 90 \nSupport for this project has been provided by the Musical Fund Society of Philadelphia and the Pennsylvania Council on the Arts\, a state agency funded by the Commonwealth of Pennsylvania and the National Endowment for the Arts\, a federal agency.
URL:https://www.bowerbird.org/event/george-crumb-out-of-darkness/
LOCATION:Annenberg Center\, Harold Prince Theater\, 3680 Walnut St\, Philadelphia\, PA\, 19104\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.bowerbird.org/wp-content/uploads/2019/08/Crumb-Night1-1.jpg
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