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DTSTART;TZID=America/New_York:20260929T200000
DTEND;TZID=America/New_York:20260929T220000
DTSTAMP:20260817T154158Z
CREATED:20260817T154124Z
LAST-MODIFIED:20260817T154158Z
UID:10001338-1790712000-1790719200@www.bowerbird.org
SUMMARY:Patterns in a Chromatic Field
DESCRIPTION:Bowerbird is pleased to present cellist T.J. Borden and pianist Mari Kawamura performing Morton Feldman’s evening length work Patterns in a Chromatic Field. Written in the last decade of his life\, this work is a unique example of his late style\, known for long durations and unpredictable repetition. In his maturity\, we find Feldman exploring different ways that ambiguity catalyzes performer interpretation and invites contemplation on the nature of the listener’s perception. Microtonal shadings ring against the equal tempered piano\, creating complex rhythmic constellations that drift slowly through the air. \n\nABOUT THE ARTISTS \nTyler J. Borden is a cellist working with\, in\, and around the constraints of the cello. Formerly from Western NY\, he is now based in Brooklyn NY\, where he spends much of his time finding ways to exploit the strengths and failures of himself and his instrument. Hailed for his “technically polished playing” (Jan Jezioro\, Artvoice) as well as his “astounding performances of superlatively difficult modernist solo works” (Edge of the Center)\, he is a dedicated purveyor of modern and experimental music. \nMari Kawamura is a concert pianist whose curiosity and wide-ranging interests have taken her in a variety of directions. Kawamura is drawn to music which utilizes the entirety of the piano as an expressive device\, enjoying equally music which showcases its tremendous agility\, and its ability to produce spacious resonances.
URL:https://www.bowerbird.org/event/patterns-in-a-chromatic-field/
LOCATION:The Perch\, 2321 Emerald St\, Philadelphia\, PA\, 19125\, United States
ATTACH;FMTTYPE=image/png:https://www.bowerbird.org/wp-content/uploads/2026/08/feldman-sept-29.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260911T200000
DTEND;TZID=America/New_York:20260911T220000
DTSTAMP:20260902T143148Z
CREATED:20260810T172055Z
LAST-MODIFIED:20260902T143148Z
UID:10001330-1789156800-1789164000@www.bowerbird.org
SUMMARY:Maria Grand and Shakoor Hakeem
DESCRIPTION:Bowerbird is pleased to present Maria Grand with Shakoor Hakeem at The Perch. Negar Soley will open with a solo set of voice and electronics. \nSample of Maria and Shakoor’s work: \n\n  \n\nABOUT THE ARTISTS \nMaría Grand is a saxophonist\, composer\, educator\, and vocalist. She has performed with her ensembles all over Europe and North America; she has also played and/or recorded with creative music luminaries such as Joel Ross\, Mary Halvorson\, Antoine Roney\, Nicole Mitchell\, and more. Her debut EP “TetraWind” was picked as “one of the 2017’s best debuts” by the NYC Jazz Record and her full-length albums Magdalena\, Reciprocity\, and Anohin were praised by major publications such as the New York Times\, Downbeat\, JazzTimes\, Billboard\, JazzIz\, and others. The New York Times calls her “an engrossing young tenor saxophonist with a zesty attack and a solid tonal range”\, while Vijay Iyer says she is “a fantastic young saxophonist\, virtuosic\, conceptually daring\, with a lush tone\, a powerful vision\, and a deepening emotional resonance.” \nMaría is a recipient of the 2017 Jazz Gallery Residency Commission\, the 2018 Roulette Jerome Foundation Commission\, the 2019 Roulette Residency\, and the 2020 Jazz Coalition Commission Award\, and the 2024 Pulse Foundation Award. She was nominated for the Jazz Journalist’s Association Up-And-Coming Musician of the Year 2018 and named the 2018 Newcomer Musician for the El Intruso 11th Annual Internation Critics Poll\, as well as Best New Artist in the 2018 JazzTimes Reader’s Poll. \nIn 2022\, María was commissioned by the Metropolitan Orchestra to write a chamber piece; she composed a piece mixing elements of healing somatic practices with music titled “your very own sun”. The same year\, she also was a Women In Jazz Organization mentor\, working with a young musician to transmit her knowledge and study ways of overcoming hurdles specific to young women in the music industry. \nIn 2024\, Maria also had her debut as conductor\, directing Roscoe Mitchell’s piece Cards in Mantova\, in the presence of the composer; she also began touring as a sideman with Joel Ross’ Good Vibes. She released an album in December 2024 titled Altered Visions\, a collaborative effort with musicians Marta Sanchez\, Camila Nebbia\, Kanoa Mendenhall\, and Iago Fernandez\, on the recently formed label Lilaila Records\, and is set to release her fourth full-length album\, Both Sides\, in April 2026. \nIn 2025\, she was nominated as Best European Musician by the French Académie du Jazz and voted one of the rising tenor saxophone stars by Downbeat. She is a certified relationship consultant from the ETC school of self-development\, based in Quebec. She has a teaching studio where she teaches Music and Self Knowledge\, and recently premiered an Emotional Deep Dive where musicians and audience created a communal moment to sonically mirror and transform emotions. \nFearless percussionist Shakoor Hakeem\, a prolific up-and-coming talent\, has a gift for making experimental\, Afro-diasporan\, rhythmic improvisational music immediately enjoyable. Hakeem’s unique old soul has him adhering to the cultural traditions of mysticism and folklore\, within which are contained the secrets of his elders. The mythical experience of his stage presence evokes feelings that you are witness to a ceremonial gathering\, of an ancient rhythmic history. In building this\, he has long supported many of the most forward-thinking legendary improvisers\, including Graham Haynes\, Immanual Wilkins\, Joel Ross\, Adam Rudolph\, Bobby Zankel and Wallace Roney. Performing live with these great artists\, he refrains from overplaying and prefers minimalism\, playing with the musical and compositional contexts of colors and texture\, delivering limited solos\, all while occupying the eye of the hurricane. \nNegar Soley is Philadelphi-based composer/performer from Tehran\, Iran. Her practice spans sound\, language\, and performance\, moving between quiet\, delicate moments and bursts of intensity\, with an interest in pushing past emotional limits and exploring how a single work — or a single performer — can hold many different selves at once or none at all. \nShe holds a bachelor’s degree in music composition from Tehran University of Art and completed a master’s degree in Experimental Music/Composition at Wesleyan University in 2025. She is currently a PhD student at Temple University\, residing in Philadelphia\, where she continues to work on composition projects and commissions while maintaining an active composer-performer practice.” \n 
URL:https://www.bowerbird.org/event/maria-grand-and-shakoor-hakeem-2/
LOCATION:The Perch\, 2321 Emerald St\, Philadelphia\, PA\, 19125\, United States
ATTACH;FMTTYPE=image/png:https://www.bowerbird.org/wp-content/uploads/2026/07/Maria-Grand-aug-15.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260815T200000
DTEND;TZID=America/New_York:20260815T220000
DTSTAMP:20260817T161926Z
CREATED:20260728T152515Z
LAST-MODIFIED:20260817T161926Z
UID:10001325-1786824000-1786831200@www.bowerbird.org
SUMMARY:POSTPONED: Maria Grand and Shakoor Hakeem
DESCRIPTION:THIS SHOW HAS BEEN POSTPONED\, STAY TUNED FOR A NEW DATE \n  \nBowerbird is pleased to present Maria Grand with Shakoor Hakeem at The Perch. \nSample of their work: \n\nABOUT THE ARTISTS \nMaría Grand is a saxophonist\, composer\, educator\, and vocalist. She has performed with her ensembles all over Europe and North America; she has also played and/or recorded with creative music luminaries such as Joel Ross\, Mary Halvorson\, Antoine Roney\, Nicole Mitchell\, and more. Her debut EP “TetraWind” was picked as “one of the 2017’s best debuts” by the NYC Jazz Record and her full-length albums Magdalena\, Reciprocity\, and Anohin were praised by major publications such as the New York Times\, Downbeat\, JazzTimes\, Billboard\, JazzIz\, and others. The New York Times calls her “an engrossing young tenor saxophonist with a zesty attack and a solid tonal range”\, while Vijay Iyer says she is “a fantastic young saxophonist\, virtuosic\, conceptually daring\, with a lush tone\, a powerful vision\, and a deepening emotional resonance.” \nMaría is a recipient of the 2017 Jazz Gallery Residency Commission\, the 2018 Roulette Jerome Foundation Commission\, the 2019 Roulette Residency\, and the 2020 Jazz Coalition Commission Award\, and the 2024 Pulse Foundation Award. She was nominated for the Jazz Journalist’s Association Up-And-Coming Musician of the Year 2018 and named the 2018 Newcomer Musician for the El Intruso 11th Annual Internation Critics Poll\, as well as Best New Artist in the 2018 JazzTimes Reader’s Poll. \nIn 2022\, María was commissioned by the Metropolitan Orchestra to write a chamber piece; she composed a piece mixing elements of healing somatic practices with music titled “your very own sun”. The same year\, she also was a Women In Jazz Organization mentor\, working with a young musician to transmit her knowledge and study ways of overcoming hurdles specific to young women in the music industry. \nIn 2024\, Maria also had her debut as conductor\, directing Roscoe Mitchell’s piece Cards in Mantova\, in the presence of the composer; she also began touring as a sideman with Joel Ross’ Good Vibes. She released an album in December 2024 titled Altered Visions\, a collaborative effort with musicians Marta Sanchez\, Camila Nebbia\, Kanoa Mendenhall\, and Iago Fernandez\, on the recently formed label Lilaila Records\, and is set to release her fourth full-length album\, Both Sides\, in April 2026. \nIn 2025\, she was nominated as Best European Musician by the French Académie du Jazz and voted one of the rising tenor saxophone stars by Downbeat. She is a certified relationship consultant from the ETC school of self-development\, based in Quebec. She has a teaching studio where she teaches Music and Self Knowledge\, and recently premiered an Emotional Deep Dive where musicians and audience created a communal moment to sonically mirror and transform emotions. \nFearless percussionist Shakoor Hakeem\, a prolific up-and-coming talent\, has a gift for making experimental\, Afro-diasporan\, rhythmic improvisational music immediately enjoyable. Hakeem’s unique old soul has him adhering to the cultural traditions of mysticism and folklore\, within which are contained the secrets of his elders. The mythical experience of his stage presence evokes feelings that you are witness to a ceremonial gathering\, of an ancient rhythmic history. In building this\, he has long supported many of the most forward-thinking legendary improvisers\, including Graham Haynes\, Immanual Wilkins\, Joel Ross\, Adam Rudolph\, Bobby Zankel and Wallace Roney. Performing live with these great artists\, he refrains from overplaying and prefers minimalism\, playing with the musical and compositional contexts of colors and texture\, delivering limited solos\, all while occupying the eye of the hurricane. \n 
URL:https://www.bowerbird.org/event/maria-grand-and-shakoor-hakeem/
LOCATION:The Perch\, 2321 Emerald St\, Philadelphia\, PA\, 19125\, United States
ATTACH;FMTTYPE=image/png:https://www.bowerbird.org/wp-content/uploads/2026/07/Maria-Grand-aug-15.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260516T190000
DTEND;TZID=America/New_York:20260516T220000
DTSTAMP:20260615T151538Z
CREATED:20260105T174202Z
LAST-MODIFIED:20260615T151538Z
UID:10001298-1778958000-1778968800@www.bowerbird.org
SUMMARY:The Music of Ben Nobuto
DESCRIPTION:Bowerbird is pleased to present the NakedEye Ensemble performing a concert of music by Ben Nobuto. \nPROGRAM \nLucid (2020) for piano and electronics\nTell Me Again (2022) for piano\, electronics\, and film\ntrio (for ivy house) (2024) for flute\, cello\, piano & electronics\nLove Games (2023) for six players\, electronics & video\nThree Studies (2022) for percussion & electronics \nABOUT THE ARTISTS \nBen Nobuto (b.1996) is a British/Japanese composer and pianist from Kent\, UK\, with a distinctive style variously described as ‘postmodern’ (Nonclassical) and ‘utterly contemporary’ (Manchester Collective). His music celebrates the fragmentations from internet and pop cultures that disrupt (enrich?) our lives\, the video games we play to escape (narrate?) ourselves. There is a naturalness in the chaos of quotations that exudes joy\, playfulness\, and a touch of irony that never devolves into judgement. “I try to make music that feels really transparent and clear in its intention because I like the idea that even very complex music can be accessible and enjoyable to anyone if it’s presented in the right way. I think that’s why I’m also drawn to things like brightness\, joy\, humour\, playfulness and kitschy things – it gives the music a lightness and invites the listener in.” (Ben Nobuto\, classical-music.uk) \nAt only 29 years old\, Ben has created a significant body of work seductive in its story-telling and masterful in the way acoustic instruments\, electronic sounds\, and video work together. His Gen Z synthesized world of scattered internet pieces utilizes techniques that echo John Zorn (collage)\, Scott Johnson (phrase-painting)\, minimalism\, but build to an experience that is uniquely Ben Nobuto. “A lot of my inspiration comes from trying to imagine these dreamlike scenarios where random things can coexist\, like a virtual environment where you can place contradictory ideas side by side and somehow make them feel right. It feels a bit like how dreams work\, in that you don’t question why surreal or impossible things happen until after you wake up\, they just seem to make sense in that weird dream-logic way.” Ben graduated from the University of Cambridge in 2019\, where he holds a Bmus and MPhil Distinction-award degree in Music. He was the recipient of the 2019 Bliss Prize for composition. Ben is currently working on recording and producing his first album of original works. \nNakedEye is an electro-acoustic group with classical\, rock\, and jazz DNA on the forefront of cutting-edge and crossover music that defies conventional labels. Founded in 2013 and based out of Lancaster\, PA\, NakedEye has developed a fluid repertoire reflective of its DNA\, commissioning projects\, institutional and artistic collaborations\, and its mission of musical exploration and innovation. NakedEye commissions work from young emerging composers such as Angélica Negrón\, Molly Joyce\, Florent Ghys\, and Monica Pearce\, as well as established composers such as Jerome Kitzke\, Randall Woolf\, and Zack Browning. NakedEye is also fortunate to count among its core members the multi-talented composers Richard Belcastro and Rusty Banks. \nThree albums reflect the group’s stylistic diversity. “Storylines Crossing” (Starkland\, 2018) explores the group’s blues and jazz expressions. This CD received Global Music Awards’ Best Debut Album and Best Ensemble Album of 2018. “Toy” (New Focus Recordings\, 2019) takes the group’s focus on a miniaturist journey with original works featuring music for toy piano and toy instruments. “A Series of Indecipherable Glyphs” (New Focus Recordings\, 2022) offers Zappa-inspired rock inflections and their unique virtuosic rendition of Sinister Footwear II. \nIn addition to its regular season concerts in the Northeast\, NakedEye has been featured at New Music Gathering\, Queens New Music Festival\, The Chamber Music Society of St Louis\, The DCCC New Music Series\, Pikes Falls Chamber Music Festival\, Tribeca New Music\, as well as schools and universities in PA and DE. \nNakedEye Ensemble is led by pianist Ju-Ping Song and is supported in part by The Russo Family Foundation\, PA Council on the Arts\, The Amphion Foundation\, and New Music USA. \n\n\n  \n\nFunding provided in part by New Music USA
URL:https://www.bowerbird.org/event/the-music-of-ben-nobuto/
LOCATION:The Perch\, 2321 Emerald St\, Philadelphia\, PA\, 19125\, United States
ATTACH;FMTTYPE=image/png:https://www.bowerbird.org/wp-content/uploads/2026/01/Bowerbird-Main-Img-2026-01-05T123652.524.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260328T200000
DTEND;TZID=America/New_York:20260328T220000
DTSTAMP:20260615T151450Z
CREATED:20251215T171028Z
LAST-MODIFIED:20260615T151450Z
UID:10001293-1774728000-1774735200@www.bowerbird.org
SUMMARY:Solo and Chamber Music of Elliott Carter
DESCRIPTION:Bowerbird is pleased to present the Arcana New Music Ensemble performing solo and chamber music of Elliott Carter. \nPROGRAM: \nTwo Thoughts About the Piano\nFigment V for marimba\nEsprit Rude/Esprit Doux II\nEpigrams\nEnchanted Preludes\nGra for clarinet\nCanon for 4 \nARCANA NEW MUSIC ENSEMBLE: \nAnna Lim – violin\nTom Kraines – cello\nNic Handahl – flute\nJonathan Leeds – clarinet\nDavid Hughes – piano\nAndy Thierauf – marimba \n\nABOUT THE ARTISTS \nComposer Elliott Carter (December 11\, 1908 – November 5\, 2012) is internationally recognized as one of the most influential American voices in classical music\, and a leading figure of modernism in the 20th and 21st centuries. He was hailed as “America’s great musical poet” by Andrew Porter and noted as “one of America’s most distinguished creative artists in any field” by his friend Aaron Copland. Carter’s prolific career spanned over 75 years\, with more than 150 pieces\, ranging from chamber music to orchestral works to opera\, often marked with a sense of wit and humor. He received numerous honors and accolades\, including the Pulitzer Prize on two occasions: in 1960 for his String Quartet No. 2 and in 1973 for his String Quartet No. 3. Other awards include Germany’s Ernst Von Siemens Music Prize and the Prince Pierre Foundation Music Award. Carter was the first composer to receive the United States National Medal of Arts\, and is one of a handful of composers inducted into the American Classical Music Hall of Fame. He was recognized twice by the Government of France: being named Commander of the “Ordre des Arts et des Lettres\,” and receiving the insignia of Commander of the Legion of Honor in September 2012. \nFounded in 2015\, the Arcana New Music Ensemble is a group of Philadelphia-based musicians dedicated to presenting interesting\, beautiful\, and unconventional music in interesting\, beautiful\, and unconventional places.\nThe Arcana New Music Ensemble is a Philadelphia-based chamber ensemble dedicated to contemporary classical music. Its mission is to perform works by living composers and to reexamine music from the past\, often focusing on composers whose work has been overlooked. A hallmark of Arcana’s programming is its frequent use of portrait concerts\, which allow the ensemble to explore a composer’s work in depth. These programs balance music by widely recognized composers with works by those who are less well known or historically underrepresented. \nFounded in 2015 by musicologist Thomas Patterson\, harpist Elizabeth Huston\, and curator Dustin Hurt\, Arcana was created to provide a platform for Philadelphia’s many skilled performers interested in exploring both new works and important compositions from the past hundred years. Since 2020\, the ensemble has been co-directed by Andy Thierauf and Dustin Hurt.\nIn 2016\, Arcana partnered with Pig Iron Theatre Company to present Samuel Beckett\, Words and Music by Morton Feldman and began a multi-year project devoted to the music of Moondog (Louis Hardin). The following year included a portrait concert of Galina Ustvolskaya\, collaborations with Variant 6 and Prometheus Chamber Orchestra\, and performances of works by Julius Eastman\, including Stay On It\, Femenine\, and Thruway. \nIn 2018\, Arcana presented rare works by Pauline Oliveros and portrait concerts of Tom Johnson\, James Tenney\, and Ben Patterson\, along with a second Moondog program. In 2019\, the ensemble presented concerts focused on Claude Vivier and Johanna Beyer and participated in a program of George Crumb’s chamber works. From 2020 onward\, the ensemble’s programming has included a retrospective of David First\, collaborations with the Wildflowers Composer Festival\, and concerts highlighting Iranian and Iranian-American composers. Recent seasons have featured portrait concerts of Sarah Hennies\, Raven Chacon\, and George Walker\, the launch of the annual Postal Pieces project\, and performances of Pauline Oliveros’s The Well and the Gentle and Lucia Dlugoszewski’s Black Lake. \nSupport for this program provided by the Amphion Foundation and New Music USA
URL:https://www.bowerbird.org/event/solo-and-chamber-music-of-elliott-carter/
LOCATION:The Perch\, 2321 Emerald St\, Philadelphia\, PA\, 19125\, United States
ATTACH;FMTTYPE=image/png:https://www.bowerbird.org/wp-content/uploads/2025/12/Bowerbird-Main-Img-2026-01-17T141215.700.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250812T200000
DTEND;TZID=America/New_York:20250812T220000
DTSTAMP:20260220T195323Z
CREATED:20250714T143509Z
LAST-MODIFIED:20260220T195323Z
UID:10001275-1755028800-1755036000@www.bowerbird.org
SUMMARY:TRANSCENDENCE
DESCRIPTION:Bowerbird is pleased to present TRANSCENDENCE\, a duo performance by master percussionists Kweku Sumbry and Shakoor Hakeem at The Perch. \n\nABOUT THE ARTISTS \nGrounded in the traditions of the Djembe Orchestra\, Kweku Sumbry is a multi-percussionist from Washington\, DC. With the djembe\, drumset\, and a multitude of West African Percussion instruments\, Kweku is bringing forth a new sound to the jazz world. He began his studies as a toddler under the tutelage of Mahiri Fadjimba Keita\, Mamady Keita\, and Djiali Djimo Kouyate.\nKweku is a member of the Immanuel Wilkins Quartet\, and has performed alongside Ambrose Akinmusire\, Yosvany Terry\, Cyrus Chestnut\, Solange\, Shabaka Hutchings\, and Reggie Workman\, to name a few. \nFearless percussionist Shakoor Hakeem\, a prolific up-and-coming talent\, has a gift for making experimental\, Afro-diasporan\, rhythmic improvisational music immediately enjoyable. Hakeem’s unique old soul has him adhering to the cultural traditions of mysticism and folklore\, within which are contained the secrets of his elders. The mythical experience of his stage presence evokes feelings that you are witness to a ceremonial gathering\, of an ancient rhythmic history. In building this\, he has long supported many of the most forward-thinking legendary improvisers\, including Graham Haynes\, Immanual Wilkins\, Maria Grand\, Joel Ross\, Adam Rudolph\, Bobby Zankel and Wallace Roney. Performing live with these great artists\, he refrains from overplaying and prefers minimalism\, playing with the musical and compositional contexts of colors and texture\, delivering limited solos\, all while occupying the eye of the hurricane. \n\n\nOrganized in collaboration with World Askew
URL:https://www.bowerbird.org/event/transcendence/
LOCATION:The Perch\, 2321 Emerald St\, Philadelphia\, PA\, 19125\, United States
ATTACH;FMTTYPE=image/png:https://www.bowerbird.org/wp-content/uploads/2025/07/Bowerbird-Main-Img-2025-07-14T102356.174.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250717T193000
DTEND;TZID=America/New_York:20250717T220000
DTSTAMP:20260220T194919Z
CREATED:20250611T175638Z
LAST-MODIFIED:20260220T194919Z
UID:10001273-1752780600-1752789600@www.bowerbird.org
SUMMARY:SQUANDERERS
DESCRIPTION:Bowerbird is pleased to present SQUANDERERS\, the glowingly new trio of guitarists Wendy Eisenberg and David Grubbs alongside multi-instrumentalist and legendary producer Kramer. The evening will open with a solo set by Jason Calhoun. \n7:00pm Doors\n7:30pm Show \nTheir debut LP If a Body Meet a Body appeared on Shimmy-Disc in November 2024\, and the group performed at the 2025 Big Ears festival. A second album\, Skantagio\, is forthcoming from Shimmy-Disc in August 2025. Squanderers first sprung into action as the duo of Kramer and Grubbs with the single “Congress of Poodles” b/w “Lendrick Muir Bible Study Weekend\,” part of Kramer’s 2023 Shimmy-Disc box set Rings of Saturn. SQUANDERERS now enter the arena of live performance with the addition of bona-fide guitar slayer Eisenberg\, a dream of a foil to Grubbs’s grubbslike guitarisms\, setting the scene for Kramer to follow his musical divining rod. Divining urges not dirges. In Grubbs’s book-length poem\, The Voice in the Headphones\, “Squanderer” is the nickname that most deeply troubles of the book’s unnamed protagonist: “Hang your head\, Squanderer. You’ll never darken the doorway of Studio A.” Will this trio of inveterate SQUANDERERS redeem themselves? \n\nABOUT THE ARTISTS \nWendy Eisenberg is an improviser and songwriter who uses guitar\, pedals\, the tenor banjo\, the\ncomputer\, the synthesizer\, and the voice. Their work spans genres\, from jazz to noise to avant-\nrock to delicate songs; their performances span venues\, from international festivals to intimate\nbasements. Though often working solo as both a songwriter and improviser\, with acclaimed\nreleases on Tzadik\, Ba Da Bing\, VDSQ\, Out of your Head\, and Dear Life\, they also perform in\nthe rock band Editrix\, and in endless other combinations of their heroes and peers including Bill\nOrcutt\, Caroline Davis\, Carla Kihlstedt\, John Zorn\, Billy Martin\, and Allison Miller. They also\nwrite about music and other things\, with published essays on music in Sound American\, Arcana\nXIII\, and the Contemporary Music Review. \nDavid Grubbs has released sixteen solo albums and was a member of the groups Gastr del Sol\,\nBastro\, and Squirrel Bait. He has performed with Tony Conrad\, Pauline Oliveros\, Luc Ferrari\,\nSusan Howe\, Will Oldham\, the Red Krayola\, and many others. Grubbs is Distinguished\nProfessor of Music at Brooklyn College and The Graduate Center\, CUNY\, and author of books\nincluding Good night the pleasure was ours\, The Voice in the Headphones\, Now that the\naudience is assembled\, and Records Ruin the Landscape: John Cage\, the Sixties\, and Sound\nRecording. \nKramer is a composer/musician/filmmaker and multi-instrumentalist who has worked with\nartists as diverse as John Zorn\, Butthole Surfers\, Bill Frisell\, Ween\, The Fugs\, Thurston Moore\,\nPenn Jillette\, Allen Ginsberg\, Jad Fair\, and Laraaji\, to name but a few. He is also a renowned\nrecord producer (Galaxie 500\, Low\, Daniel Johnston\, Will Oldham\, etc.) and the founder of the\niconic NYC record label\, Shimmy-Disc. He rarely performs onstage\, and Squanderers is his first\nlong-term recording project to include live performances since 1999. He currently lives and\nworks in the Appalachian Temperate Rainforest. \nThe hallmark of jason calhoun’s music–either under his given name or under the naps alias–is an emotional resonance that allows fragility and perseverance to occupy the same space. Though humble in his approach\, calhoun has done something quietly extraordinary in building a body of work that\, unlike so much music that seeks to transport you elsewhere\, instead asks you to check in with yourself. \nIf A Body Meet A Body by SQUANDERERS \na four part cure by jason calhoun + foresteppe
URL:https://www.bowerbird.org/event/squanderers/
LOCATION:The Perch\, 2321 Emerald St\, Philadelphia\, PA\, 19125\, United States
ATTACH;FMTTYPE=image/png:https://www.bowerbird.org/wp-content/uploads/2025/06/Bowerbird-Main-Img-2025-06-11T135242.222.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250613T200000
DTEND;TZID=America/New_York:20250613T220000
DTSTAMP:20250608T181903Z
CREATED:20250502T160736Z
LAST-MODIFIED:20250608T181903Z
UID:10001267-1749844800-1749852000@www.bowerbird.org
SUMMARY:POSTPONED: The Elias Stemeseder\, Kris Chen Lil’Injure\, Shakoor Hakeem Trio
DESCRIPTION:DUE TO UNFORSEEN CIRCUMSTANCES\, THIS EVENT HAS BEEN POSTPONED. STAY TUNED FOR A NEW DATE \nBowerbird is pleased to present the Elias Stemeseder\, Kris Chen Lil’Injure\, Shakoor Hakeem Trio at The Perch. \n\nABOUT THE ARTISTS \nKris Chen Lil’Injure was born 1984 in Lübben and is a drummer\, composer and representative of the modern creative style and new improvisational music. From 2000 to 2004 Lillinger studied at the University of Music Carl Maria von Weber at Dresden. He plays in the trio Gropper | Graupe | Lil’Injure\, with the saxophonist Philipp Gropper and the guitarist Ronny Graupe. \nIn 2008\, he arranged his first band Kris Chen Lil’Injure’s Grund\, whose first first two records were released in late 2009 and 2013. Since 2004 he has been working in the EUPHORIUM\, the Ensemble of Contemporary Performing Arts and Music. Since 2009 he founded several projects and bands in which he collaborated with numerous well-known artists. Kris Chen Lil’Injure published different albums in cooperation with other musicians and international jazz lables. \nElias Stemeseder is a pianist\, keyboard instrumentalist\, electronic musician and composer with an interest in synthesizing musical thought\, discipline and tools from diverse time periods and geographic origins to create original sonic ordering principles. Performing on historic and contemporary (keyboard-) instruments\, Stemeseder is part of the ensembles Stemeseder-Lillinger\, Neon Dilemma\, WRENS and the Elias Stemeseder Trio. He also works alongside luminaries such as Anna Webber\, Adam O’Farrill\, Craig Taborn\, Ingrid Laubrock\, Thomas Morgan and Peter Evans\, performs as a soloist\, and is a recording artist for Intakt Records. \nFearless percussionist Shakoor Hakeem\, a prolific up-and-coming talent\, has a gift for making experimental\, Afro-diasporan\, rhythmic improvisational music immediately enjoyable. Hakeem’s unique old soul has him adhering to the cultural traditions of mysticism and folklore\, within which are contained the secrets of his elders. The mythical experience of his stage presence evokes feelings that you are witness to a ceremonial gathering\, of an ancient rhythmic history. In building this\, he has long supported many of the most forward-thinking legendary improvisers\, including Graham Haynes\, Immanual Wilkins\, Joel Ross\, Adam Rudolph\, Bobby Zankel and Wallace Roney. Performing live with these great artists\, he refrains from overplaying and prefers minimalism\, playing with the musical and compositional contexts of colors and texture\, delivering limited solos\, all while occupying the eye of the hurricane. \n\n\n\n\nOrganized in collaboration with World Askew
URL:https://www.bowerbird.org/event/postponed-the-elias-stemeseder-kris-chen-lilinjure-shakoor-hakeem-trio/
LOCATION:The Perch\, 2321 Emerald St\, Philadelphia\, PA\, 19125\, United States
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