Blog

Merilyn Jackson wrote about Thirdbird, the new music-and-dance “wing” of Ladybird and Bowerbird directed by Anna Drozdowski and Dustin Hurt, which brings movers and music makers together in sometimes out-of-the-way venues. Read…

Steve Siegel’s Live Arts Festival preview in The Morning Call singled out Xavier Le Roy’s More Mouvements für Lachenmann, co-presented by Bowerbird, as one of the festival’s showcase events. As it appeared…

David Patrick Stearns reviewed the Flux Quartet’s six-hour performance of Feldman’s String Quartet II, the finale of American Sublime. He wrote that the festival’s venues, performances and program notes made the event…

David Patrick Stearns reviewed the opening of American Sublime, our eight-day Morton Feldman festival, with Marilyn Nonken playing the 100-minute Triadic Memories at Rodeph Shalom. He noted that it was being called…

Metro Philadelphia previewed American Sublime, our weeklong festival of Morton Feldman’s late music, with eight concerts of works from 1977 to 1987, most heard in Philadelphia for the first time. Dustin Hurt,…

David Patrick Stearns previewed American Sublime, our Morton Feldman festival, as one of three major new-music events coming to Philadelphia. The festival opened with Marilyn Nonken playing Triadic Memories and closed with…

WHYY covered the first Japanese Noh theater performance in Philadelphia, which we presented. Dustin Hurt spoke about how works so open to interpretation could be seen in a new light. Read “Japanese…

The Inquirer’s listings picked our free Rotunda concert by Gene Coleman’s Ensemble N_JP, which performed a live score to the classic Japanese film Onibaba. Read “Here’s the lineup on Philadelphia-area stages tonight…