Blog

WRTI’s Fanfare Weekly highlighted Pure Lucia at FringeArts as a weekend pick, calling out the Dlugoszewski centenary and Dustin Hurt’s study of her music and legacy. Read the listing

Gail Obenreder included Pure Lucia in her May classical music previews for Broad Street Review. She describes the two-night series with FringeArts and lists the Erick Hawkins Dance Company, Agnese Toniutti, Network…

The Pew Center for Arts & Heritage named Pure Lucia one of five Center-supported performances to see this spring. The guide covers the April web series and the concerts at FringeArts on…

Lauren Abunassar, an Al-Bustan Seeds of Culture media fellow, wrote about A Utopian Stage, Vali Mahlouji’s exhibition on the Festival of Arts, Shiraz-Persepolis at Asian Arts Initiative, presented with Bowerbird, including our…

Peter Crimmins wrote about A Utopian Stage, the exhibition we presented at the Asian Arts Initiative on the Festival of Arts Shiraz-Persepolis and its political and aesthetic impact. Read “A forgotten Iranian…

Cameron Kelsall reviewed Bartók’s Monster, our collaboration with Pig Iron School and installation artist Sebastienne Mundheim, presented by Penn Live Arts at the Annenberg Center’s Harold Prince Theatre. He was critical of…

Penn Today previewed Bartók’s Monster, the Daedalus Quartet’s collaboration with Pig Iron Theatre Company’s Dan Rothenberg, White Box Theatre’s Sebastienne Mundheim and writer Jay Kirk, which we co-presented with Penn Live Arts…

Bruce Hodges called us “an essential presenter in Philadelphia’s new music landscape” and previewed three concerts: LIGAMENT and Peter Evans with David Taylor at University Lutheran Church, and music by Éliane Radigue…