Julius Eastman: Crazy, Evil, Gay Guerrilla
Concert

Julius Eastman: Crazy, Evil, Gay Guerrilla

This event was on Friday, May 19, 2017. Explore the archive below.

Part of Julius Eastman: That Which Is Fundamental →

ABOUT THIS EVENT
Julius Eastman perfected his multifarious minimalism in three works of the late seventies: “Crazy Nigger”, “Evil Nigger”, and “Gay Guerrilla”. Each work is scored for multiple instruments of the same kind. This concert features two of the works performed as a piano quartet and Gay Guerrilla performed by a large ensemble of electric guitars.

PROGRAM:

JULIUS EASTMAN: SPOKEN INTRO (1980)
Archival recording of Eastman’s explanation of the use of “Nigger” in the title of his compositions.

JULIUS EASTMAN: EVIL NIGGER (1979)
Joseph Kubera, Dynasty Battles, Michelle Cann, Adam Tendler – pianos

JULIUS EASTMAN: GAY GUERRILLA (1979), version for 14 electric guitars by Dustin Hurt
Sonora Guitar Ensemble: Michael Lorenz, Quinn Collins, John Pettit, Marc Jaffee, Ben Rosen, Travis Woodson, Joshua Hey, Brian McBrearty, James Merle Thomas, Alban Bailly, David Middleton, Dylan Reis, George Korein, Matt Hollenberg and Alex Lewis

JULIUS EASTMAN: CRAZY NIGGER (1979)
Joseph Kubera, Dynasty Battles, Michelle Cann, Adam Tendler – pianos

ABOUT THE SERIES
Julius Eastman: That Which is Fundamental is an interdisciplinary, multi-artist project that examines the life, work, and resurgent influence of Julius Eastman, a gay African American composer and performer who was active internationally in the 1970s and 80s, but who died homeless at the age of 49, leaving an incomplete but compelling collection of scores and recordings. The culmination of more than three years of research, this first iteration of this project will take place in Philadelphia in May 2017. Events include four major concerts – including several modern “premieres” of recently recovered works – and a multi-disciplinary exhibition featuring archival materials and work by ten contemporary artists who engage with Eastman and the fragmented nature of his legacy.

That Which Is Fundamental is the first comprehensive examination of Eastman’s legacy to work alongside the Eastman Estate, an organization led by Gerry Eastman to gather together, organize, preserve, disseminate, and generally further the work of his brother, Julius.

Photos by Ben Tran

From the archive

Press 15 articles

  • May 9, 2017Setting right a composer's 'unjust malaise'
    WHYY
    Read
  • May 3, 2017Looking back at gay African-American Composer Julius Eastman
    Metro Philadelphia
    Read
  • May 4, 2017Concerts, exhibit explore contributions of late classical musician
    Philadelphia Gay News
    Read
  • October 28, 2016Minimalist Composer Julius Eastman, Dead for 26 Years, Crashes the Canon
    The New York Times
    ReadPDF
  • April 1, 2018Same Difference
    Artforum
    ReadPDF
  • May 17, 2017After Years of Research, Minimalist Composer Julius Eastman Gets the Tribute He Deserves
    Hyperallergic
    Read
  • September 14, 2016Julius Eastman: the groundbreaking composer America almost forgot
    The Guardian
    ReadPDF
  • May 2, 2018Hammered Into Clouds: Nine Beginnings for Julius Eastman
    the Village Voice
    Read
  • January 15, 2017Julius Eastman’s Guerrilla Minimalism
    The New Yorker
    ReadPDF
  • July 5, 2018Julius Eastman to The Fullest
    Sightlines
    Read
  • February 22, 2018Music Sales acquires worldwide publishing rights to Julius Eastman catalog
    Music Sales Group
    Read
  • October 2, 2021The musical genius of Julius Eastman’s Femenine comes to Harlem Stage
    Pride Index
    Read
  • October 7, 2020Hearing What We Wouldn’t Have Before: The Benefits of an Expanding World of Recordings
    WQXR
    Read
  • June 1, 2020Curating Contemporary Music Festivals
    Curating Contemporary Music Festivals (transcript Verlag)
    Read
  • May 9, 2017Unfinished genius of Julius Eastman
    The Philadelphia Inquirer
    ReadPDF

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