John Cage wearing headphones at a tape machine

Cage: Beyond Silence

A citywide festival celebrating the music of John Cage in his centenary year, presented by Bowerbird in conjunction with the Philadelphia Museum of Art.

FestivalOctober 26, 2012 to January 20, 2013Three parts, across the Philadelphia Museum of Art and venues citywide
ProgramsConcerts, talks and workshopsGallery performances, a mini-symposium and a film screening
Presented withPhiladelphia Museum of ArtAlongside the exhibition Dancing around the Bride

On this page: About Programs Press Credits Support

About

Cage: Beyond Silence was a major festival celebrating the music of John Cage. Taking place at the Philadelphia Museum of Art and venues across the city, events unfolded in three parts. The first, Move from Zero (October 26 – November 4, 2012), provided an introduction to John Cage’s music, focusing on seminal works from his early career, such as Sonatas and Interludes (1946–48), Music of Changes (1951) and 4′33″ (1952), and explored a variety of other stylistic periods through his solo repertoire. Parts two and three, subtitled The Year Begins to be Ripe (November 30 – December 12, 2012) and At Least We Have Begun (January 11 – 20, 2013), juxtaposed two of Cage’s “magnum opuses”: the mid-career polystylistic Song Books (Solos for Voice 3–92) (1970) and the late-career meditative series of compositions titled Number Pieces (1987–1992). Several works were given multiple performances, underlining the important role of the interpreter in realizing Cage’s scores and emphasizing the ephemeral and changing nature of these indeterminate works.

In 2012, the year of the Cage Centenary, and 20 years after his death, we were still grasping to understand the enormity of Cage’s contributions. His infamous “silent piece,” 4′33″, composed near the start of his career, still dominates discussion, at times overshadowing the subsequent forty years of artistic output. Cage’s radical introduction of everyday sounds—previously considered non-musical—into the musical landscape, his evolving ideas about the role of the composer in society, and his use of chance operations to mute his “likes” and “dislikes” demonstrate his importance as a music philosopher. Cage’s tireless artistic exploration and innovation—which also grew to include visual arts and writing—produced one of history’s most unique and nuanced musical voices. Beyond Silence invited audiences to engage with Cage’s work, welcoming its complexity, unpredictability and unexpected beauty.

The festival was endorsed by the John Cage Trust and presented in conjunction with the Philadelphia Museum of Art’s major exhibition Dancing around the Bride: Cage, Cunningham, Johns, Rauschenberg, and Duchamp (October 30, 2012 – January 21, 2013).

Hurricane Sandy forced the postponement of two concerts in the festival’s first week. Margaret Leng Tan’s Sonatas and Interludes was rescheduled for December 16 at the Art Museum.

Programs

Part 1. Move from Zero: Early Works and Solos

October 26 – November 4, 2012

Part 2. The Year Begins to be Ripe: Song Books

November 30 – December 16, 2012

Part 3. At Least We Have Begun: Number Pieces

January 11 – 20, 2013

Press

Credits

Cage: Beyond Silence was presented by Bowerbird in conjunction with the Philadelphia Museum of Art and its exhibition Dancing around the Bride, and endorsed by the John Cage Trust.

Support

Cage: Beyond Silence was made possible by The Pew Center for Arts & Heritage through the Philadelphia Music Project. Additional support was generously provided by The Presser Foundation, The Aaron Copland Fund for Music, and other generous individuals.

The Pew Center for Arts & Heritage